LOVING REPEATING A chamber musical by Stephen Flaherty: Lyrics by Gertrude Stein adapted by Frank Galati from a 1934 lecture that Gertrude Stein delivered at the University of Chicago. About Face Theatre, Chicago - 14 March, 2006 SYNOPSIS According to notes on the show, " Loving Repeating explores the romantic world of Gertrude Stein: her capricious love affair with language, with selfexpression, and with her lifelong companion Alice B. Toklas according to production notes. "The musical follows Stein from her student days in the late 19th century to the height of her artistic era in Paris as one of the 'lost generation,' a term she coined referring to those who came of age between the two world wars." STORY Sixty-year-old Gertrude Stein is lecturing at the University of Chicago in November of 1934. She begins to reflect upon her life in college and, as she does so, a younger version of herself appears (“A Sonatina Song”). Gertrude then explains that she became interested in psychology while battling boredom during her time at medical school. When observing different types of people, she would notice that everybody said the same things, over and over again, and became interested (“Loving Repeating”). Through this, she started to find that observing this repetition helped her understand society and the people in it (“There Are Many That I Know”). Young Gertrude expands on the concept by suggesting that, if everyone is always repeating, then they should all have the same history (“The History of One”). Young Gertrude suddenly catches sight of a thirty-year-old Alice B. Toklas. They begin to fall in love (“A Sonatina Song – Reprise”). Alice recounts meeting Gertrude and how well the two worked in love (“A Sonatina Song – Second Reprise / A Lyrical Opera Made by Two to Be Sung – Setting”). We begin to see the connection and story of the two women played out, as Gertrude guides us through what she calls scenes 1, 2, 3 and 4 (“My Wife Is My Life / Come Firefly / A Large and Loose Caramel / A Cow Coming”). Gertrude then brings us to what she has titled the Finale (“A Lyrical Opera – Finale”). As this section ends, Gertrude tells a story about a dinner party that she attended in Beverly Hills. At the party, they ask her questions about how she got so much publicity and why she doesn’t write the way that she talks (“Kiss My Lips She Did”). We see more interaction between Young Gertrude and Alice, with Gertrude involved this time (“The Thirteenth of April”). The trio then have a conversation about how nothing is important, but love (“As a Wife Has a Cow”). Gertrude then re-establishes how people love to repeat certain things, since that it is a natural part of life (“Do They as They Do So”). Gertrude tells a story about a time that T.S. Eliot came to see her, claiming that he would only publish her most recent piece in The Criterion. Gertrude then decides to to write a portrait of T.S. Eliot, entitled The Fifteenth of November, so that it would be clear that the piece was written on the very day that he saw her. However, they didn’t print it, and it ended up being printed the following October (“The Fifteenth of October / As a Wife Has a Cow – Finale”). Next, Gertrude begins commenting on poetry and what it is like to write it now. As she is discussing, Young Gertrude and Alice reappear but they are now middle-aged (“Kiss My Lips She Did – Reprise”). The two tell the story of Miss Furr and Miss Skeene, about the love between two women (“Miss Furr and Miss Skeene”). Gertrude then introduces a group of men that Miss Furr and Miss Skeene went around with regularly (“Men – Part 1”). She goes on to explain that Miss Furr and Miss Skeene eventually stopped living together and went their separate ways (“Men – Part 2 /Such a One / Ending – Miss Furr and Miss Skeene”). We come upon an even older Young Gertrude, who is discouraged because she feels that there is no way to get a full history of anyone (“Loving Repeating – Reprise”). Alice proceeds to join Young Gertrude in
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