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Next To Normal

Cover to original cast recording

A musical in 2 acts. Music by Tom Kitt, book and lyrics by Brian Yorkey,

Second Stage Theatre, Off-Broadway. 13th February, 2008 (previews from 16 January, 2008) Closed 16th March, 2008. (33 previews, 37 performances)
Booth Theatre, Broadway 15th April, 2009 (Previews from 27th March, 2009)


Act I

Suburban mother Diana Goodman waits up late for her curfew-challenged son, comforts her anxious and overachieving daughter, hurries off for some sex with her husband, then rises to help prepare her family for "Just Another Day." But when her lunch making takes a turn for the bizarre with sandwiches covering the table, chairs, and floor, the rest realise something is not right. As husband Dan helps the disoriented Diana, Natalie hurries off to school and the refuge of the piano practice room, where she's interrupted by Henry, a classmate who likes to listen to her play - and clearly likes her.

Over the following weeks, Diana makes a series of visits to her doctor, while Dan waits in the car outside, questioning how to cope with his own depression. It is revealed that Diana has suffered from bipolar disorder coupled with hallucinations for sixteen years; Doctor Fine begins to adjust her medications until he declares her stable. Natalie and Henry grow closer until one day he professes his love for her and they kiss for the first time. Diana witnesses this and realises she's missed much of Natalie's growing up. With her son's encouragement, she flushes away her medication.

A few weeks later, Dan looks forward to dinner with his family, but when Diana emerges with a cake singing "Happy Birthday" to her son, Dan and Natalie are devastated. Dan holds Diana and explains that "He's Not Here" - that their son has been dead for years. Natalie storms off, and Dan mentions a return to the doctor, but Diana refuses - and as Dan tries to coax her into trusting him, their son joins them, trying in vain to get Dan's attention. Up in her room, Natalie vents her anger to Henry, then refuses Diana's apology as her brother watches and taunts her.

A few days later, Diana starts work with Doctor Madden. As her son rises to make his presence felt, Dan and Natalie doubt the sessions are helping, but Doctor Madden proposes hypnosis to help Diana discover the roots of her trauma. Finally, Diana agrees it's time to let her son go. Diana goes home to clean out her son's things, pausing to listen to a music box. Her son, Gabe appears and dances with her, then invites her to come away with him. She does.

At the hospital, where Diana lies sedated and restrained, with self-inflicted gashes to her wrists, Doctor Madden explains to Dan that ECT is the standard course of treatment for drug-resistant patients who are imminently suicidal. Dan goes home to clean up after Diana and decide what to do. The next day, Diana lashes out at Doctor Madden, refusing the treatment, but Dan arrives and convinces her it may be their last hope.

Act II

Over a period of two weeks, Diana receives a series of ECT treatments, while Natalie further explores clubs and drugs. When Diana returns home from the hospital, she and her shocked family realise Diana has lost sixteen years of memory. Natalie escapes to school, where Henry confronts her, wondering why she's been avoiding him and inviting her to the spring formal dance.

Dan and Diana visit Doctor Madden, who assures them that some memory loss is normal and encourages Dan to use photos, mementoes, and the like to help Diana recover. Dan gathers the family to do so, with minor success, but when Natalie pulls the music box from a pile of keepsakes, he whisks it away, leaving Diana puzzled. Her son appears, unseen, while Diana tells Dan there's something she's desperate to remember that's just beyond her reach. When Henry arrives looking for Natalie, Diana is given great pause, studying his face and asking his age. Unnerved, Henry hurries up to Natalie's bedroom, to convince her to join him at the dance the next night.

Diana returns to Doctor Madden who suggests she further explore her history and talk more with her husband. Diana goes home and searches through the boxes of keepsakes, finding the music box. Dan tries to stop her, but the memories of her baby son rush back. When Diana confesses remembering her son as a teenager, and demands to know his name, Dan insists they need to return for more treatment. Henry arrives to pick up Natalie, who has dressed for the dance, just in time for both for them to witness an agitated Dan grab the music box from Diana's hands and dash it to the floor.

Diana confronts Dan, wondering why he perseveres after how much trouble she's given, while upstairs, Natalie asks Henry much the same question. Dan answers, echoed by Henry, both vowing to stay steadfast, but just as both couples embrace, Gabe reappears, sending Diana running to Doctor Madden, asking Natalie to drive her, leaving Dan and Henry behind.

Diana asks Madden what can be done if the medicine has missed the true problem. With her questioning comes the realisation that it's not her brain that's hurting: it's her soul. Madden assures her relapse is common, and suggests more ECT. Diana refuses, and though Doctor Madden urges her to continue treatment for her disease, she thanks him and goes. Natalie, waiting outside, is distressed to learn her mother has left treatment, and Diana explains herself, opening up to her daughter for the first time. She urges Natalie on to the school dance, where Henry awaits to comfort and embrace her.

Diana finds Dan at home and tells him she's leaving him, explaining that he can't always be there to catch her; she needs to take a risk and deal with things on her own for once. She goes, leaving her son with him. As Dan wonders how she could have left him after he stood by her for so long, her son approaches, telling Dan he's not going anywhere. Dan grows more distraught until at last he faces the boy and calls him by his name for the first time: Gabriel.

Natalie comes home to find her father sitting alone in the dark, in tears. She comforts him and turns the lights on in the room, before assuring him that the two of them will figure things out. We see Henry arrive to study, and Natalie tells him Diana has gone to stay with her own parents. We see Diana, alone and still hurting, but hopeful. We see Dan, visiting Doctor Madden for any word on Diana, but staying to talk about his own struggle. And life goes on.

Musical Numbers

  1. Prelude
  2. Just Another Day – Diana, Natalie, Gabe, Dan
  3. Everything Else – Natalie
  4. Who's Crazy/My Psychopharmacologist and I – Dan, Doctor Fine, Diana, Ensemble
  5. Perfect for You – Henry, Natalie
  6. I Miss the Mountains – Diana
  7. It's Gonna Be Good – Dan, Natalie, Gabe, Henry, Ensemble
  8. He's Not Here – Dan
  9. You Don't Know – Diana
  10. I Am the One – Dan, Gabe, Diana
  11. Superboy and the Invisible Girl – Natalie, Diana, Gabe
  12. I'm Alive – Gabe
  13. Make Up Your Mind/Catch Me I'm Falling – Doctor Madden, Diana, Dan, Natalie, Gabe
  14. I Dreamed a Dance – Diana, Gabe
  15. There's a World – Gabe
  16. I've Been – Dan
  17. Didn't I See This Movie? – Diana
  18. A Light in the Dark – Dan, Diana
  19. Wish I Were Here – Diana, Natalie
  20. Song of Forgetting – Dan, Diana, Natalie
  21. Hey #1 – Henry, Natalie
  22. Seconds and Years – Doctor Madden, Dan, Diana
  23. Better Than Before – Doctor Madden, Dan, Natalie, Diana
  24. Aftershocks – Gabe
  25. Hey #2 – Henry, Natalie
  26. You Don't Know (Reprise) – Diana, Doctor Madden
  27. How Could I Ever Forget? – Diana, Dan
  28. It's Gonna Be Good (Reprise) – Dan, Diana
  29. Why Stay?/A Promise – Diana, Natalie, Dan, Henry
  30. I'm Alive (Reprise) – Gabe
  31. The Break – Diana
  32. Make Up Your Mind/Catch Me I'm Falling (Reprise) – Doctor Madden, Diana, Gabe
  33. Maybe (Next to Normal) – Diana, Natalie
  34. Hey #3/Perfect for You (Reprise) – Henry, Natalie
  35. So Anyway – Diana
  36. I Am the One (Reprise) – Dan, Gabe