THE WILD PARTY A Musical in One Act, 5 Scenes. Book by Michael John LaChiusa and George C. Wolfe. Music and lyrics by Michael John LaChiusa. Based on the poem of the same name by Joseph Moncure March. Opened 13th April, 2000 at the Virginia Theatre, Broadway; closed 11th June 2000 (68 perfs) SYNOPSIS The Vaudeville The company recounts the story of Queenie, a blonde who works as a showgirl in the Vaudeville, who is attracted to “violent and vicious” men (“Queenie Was A Blonde”). She is currently living with a man named Burrs, who works in the same vaudeville, as the act after her. His act is a minstrel show, where he performs in black face (“Marie Is Tricky”). One Sunday, Queenie wakes up restless and she and Burrs soon come to blows. To try to put less strain on their relationship (and to convince her to put a knife down), Burrs suggest they throw a huge party and invite “all the old gang”. Queenie is ecstatic and they get prepared for the evening (“Wild Party”). Promenade of Guests The guests soon arrive and exchange words with Burrs, and alcohol starts flowing (“Dry”). Queenie makes her appearance in a “new” dress (“My Beautiful Blonde”), and welcomes everyone, meeting Nadine, a minor who wants to be a blonde and drink bathtub gin (“Welcome To My Party”). Queenie takes her under her wing as she mingles with the other guests. Madelaine, an “almost famous” stripper, introduces Queenie to her new girlfriend, the catatonic morphine-addicted Sally, who she met crawling outside the theatre in a drugged stupor. Madelaine believes Sally is a “post-modernist”, to which Burrs replies “in need of a post-mortem”. Madelaine tells Queenie of their love and of Sally’s genius (“Like Sally”). Next up is Jackie, an “ambisextrous” rich kid with his eye on anybody and everybody (“Breezin’ Through Another Day”). The incestuously devoted D’Armono Brothers, Oscar and Phil sing a new ditty as Gold and Goldberg, two would-be producers, arrive. They are planning to move uptown, and Burrs is convinced that they want to take him. He joins in with the brothers to impress them (“Uptown”). Queenie wonders where her friend Kate is, and Burrs expresses his dislike for her. Eddie, a successful black boxer and his white wife Mae talk of their marriage (“Eddie and Mae”). Dolores, a faded star, hints to Burrs that she knows his secrets, and forces him to introduce her to Gold and Goldberg. The producers are fighting over their name (With Gold wanting to change Goldberg’s name to “Golden” to hide their Jewish heritage) and how to become successful (“Gold and Goldberg”). Burrs introduces them to Dolores, who begins to seduce them with her feminine wiles (“Moving Uptown”). The Party Queenie starts a dance to raise the energy (“Black Bottom”), but Kate soon interrupts with her arrival. She has come with Mr. Black, an attractive gigolo. Queenie and Kate trade insults and love, telling Nadine of their double-edged friendship (“Best Friend”). Burrs and Kate do not get along, with Kate disapproving of Queenie’s romantic entanglement with him, while Queenie and Black begin to feel an attraction to each other. Meanwhile, Jackie tries to separate the D’Armano brothers, flirting with Oscar (“A Little M-M-M”). Dolores hints to Queenie about troubles in Burrs’ past (“Everybody Has Their Secrets”) while Nadine sings a paean to Broadway, only to be cut off by Queenie (“The Lights Of Broadway”). Queenie and Black meet up and find their attraction growing stronger (“Tabu”). Queenie asks him to show her how he picks up ladies, and his hypothetical soon turns into a real proposition (“Takin’ Care Of The Ladies”) and he pulls her up to dance (“Tabu Dance”). Kate and Burrs notice how close Queenie and Black are becoming, and Burrs wonders about the demise of fidelity (“Wouldn’t It Be Nice?”). Queenie tells Black of her troubled existence, wondering why she was born (“Lowdown-Down”), as Burrs hypes up the party with Gin (“Gin”).
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