Federalist Papers and is selected as Secretary of the Treasury by newly elected President Washington, amidst Eliza begging Hamilton to stay and Angelica moving to London with her new husband ("Non-Stop"). Act II Thomas Jefferson returns to America from being the U.S. ambassador to France, taking up his newfound position as Secretary of State, with friend and fellow Cabinet member, James Madison ("What'd I Miss"). In 1789, Jefferson and Hamilton debate Hamilton's financial proposals at a Cabinet meeting. Washington tells Hamilton to figure out a compromise to win over Congress ("Cabinet Battle #1"). Eliza and her family—along with Angelica, back from London—travel upstate during the summer, while Hamilton stays home to work on the compromise ("Take a Break"). Hamilton begins an affair with Maria Reynolds, making him vulnerable to her husband's blackmail ("Say No To This"). Hamilton, Jefferson, and Madison create the Compromise of 1790 over a private dinner, exchanging Hamilton's financial plan for placing the country's permanent capital on the Potomac River. Burr is envious of Hamilton's sway in the government and wishes he had similar power ("The Room Where It Happens"). Burr switches political parties and defeats Philip Schuyler, making Hamilton now a rival ("Schuyler Defeated"). In another Cabinet meeting, Jefferson and Hamilton argue over whether the United States should assist France in its conflict with Britain. President Washington ultimately agrees with Hamilton's argument for remaining neutral ("Cabinet Battle #2"). In the wake of this, Jefferson, Madison, and Burr decide to join forces to find a way to discredit Hamilton ("Washington on Your Side"). Washington decides to retire from the presidency, and Hamilton assists in writing a farewell address ("One Last Time"). A flabbergasted King George receives word that George Washington has stepped down, and will be replaced by Paris signatory John Adams ("I Know Him"). Adams becomes the second President and fires Hamilton, who, in response, publishes an inflammatory critique of the new president ("The Adams Administration"). Jefferson, Madison, and Burr confront Hamilton about James Reynolds's blackmail, accusing him of "[embezzlement of] government funds" ("We Know"). Desperate to salvage his political career by proving that he was merely lustful and not corrupt, Hamilton prophylactically publicizes his affair ("Hurricane") in the Reynolds Pamphlet, which wrecks his own reputation ("The Reynolds Pamphlet") and damages his relationship with Eliza, who, in a heartbroken retaliation, burns all the letters Hamilton wrote her, trying to erase herself from history ("Burn"). After graduating from college, Philip attempts to defend his father's honor in a duel with George Eacker ("Blow Us All Away") but is fatally shot ("Stay Alive (Reprise)"), leading to reconciliation between Alexander and Eliza ("It's Quiet Uptown"). Hamilton's endorsement of Jefferson in the 1800 United States presidential election ("The Election of 1800") results in further animosity between Hamilton and Burr, who challenges Hamilton to a duel via an exchange of letters ("Your Obedient Servant"). Hamilton writes his last letter in a rush while Eliza tells him to go back to bed ("Best of Wives and Best of Women"). Burr and Hamilton travel to New Jersey for the duel. Burr reflects on the moments leading up to the duel, stating that one of them will have to die. Burr and Hamilton walk the requisite ten paces, then Burr fires first, and time freezes as Hamilton reflects on his legacy, before throwing away his shot. Burr shoots him between the ribs and Hamilton dies, mourned by Eliza, Angelica, and the rest of the cast. Burr laments that though he survived, he is cursed to be remembered as the villain who killed Hamilton ("The World Was Wide Enough"). The musical closes with a reflection on historical memory. Jefferson and Madison reflect on Hamilton's legacy, as Eliza tells how she keeps Hamilton's legacy alive through interviewing war veterans, getting help from Angelica, raising funds for the Washington Monument, speaking out against slavery, and establishing the first private orphanage in New York City ("Who Lives, Who Dies, Who Tells Your Story"). As the musical ends, Eliza looks in the direction of the audience and lets out a tearful gasp.